I’ve admired Liza Dalby’s work since I read her book Geisha when I was 16. I will admit that I haven’t yet read the Tale of Genji, but I decided to delve into Dalby’s Tale of Murasaki anyway in the hopes of getting a feel for the world of Genji and 10th/11th century Japan.
And this book definitely gave me a feel for it and more. Dalby tells the story of the court lady ‘Murasaki’ in the first person, chronicling her life in and out of court, her loves and family and her writing of what many people recognise as the world’s first novel.
There is a certain vividness to the account that makes the reader yearn for the landscapes and fabrics, poetic courtships and court intrigues of Murasaki’s world. There are a few footnotes throughout the book, with interesting tidbits like the fact that in Japanese at this time, incense was described as being ‘heard’ not ‘smelled’ and that women inherited the family houses whereas men were expected to make their way through court ambitions in order to gain lodging. Personally, I would have liked more of these fascinating side-notes but there is still plenty in the story itself that signals great depth of research on Dalby’s part.
All in all, I very much enjoyed The Tale of Murasaki and if the plot lags in parts, this is redeemed by the attentiveness to detail and vividness of the atmosphere.